EDUCATION

Ph.D. — University of Oregon — Composition & Computer Music (supporting area) — 2002
M.M. — Yale University — Composition — 1982
B.A. — University of Minnesota — Composition & Theory —1980 —Summa Cum Laude —Phi Beta Kappa

—— Stockholms Musikpedagogiska Institut — 1975/76 — Theory Pedagogy


RECENT PERFORMANCE HISTORY


COMPOSITION LIST


PROGRAM NOTES


TEACHING EXPERIENCE

Areas of Teaching Competency:

composition, European music theory (all levels), jazz theory, keyboard harmony, orchestration,
counterpoint, electro-acoustic music, scoring for film/video

Teaching History

2001 – present — San Diego State University — Full Professor, Director of Electro-Acoustic and Media Composition

1993 - 2001 — Lewis & Clark College — Director of Electronic Music, Instructor,Visiting Assistant Professor

ARTISTIC DIRECTOR

1983 - 1989 -— Co-founder and Director — Network for New Music - Philadelphia, PA

This is a support and service organization for composers. Duties included fund-raising,
concert presentation, membership services. Network for New Music continues as a vital
force for the presentation of new music in Philadelphia.

1998 - Founder and Artistic Director — New West Electro-Acoustic Music Organization (NWEAMO)

http://www.nweamo.org/

This is a non-profit 501(C)3 organization dedicated to presenting electronic and electro-acoustic works. To date NWEAMO has hosted five annual international festivals. The NWEAMO Festival takes place early in October on consecutive weekends in San Diego and Portland, OR. The goal is to present the widest possible spectrum of electro-acoustic music, from the experimental fringes of dance music and electronica to the esoteric reaches of the avant garde.

RECORDING STUDIO

1985 - 1997 — Owner/Engineer — Voice House (professional recording studio) Philadelphia, PA and Portland, OR

I designed and built professional recording studios in both Philadelphia and Portland. In addition to my own projects, I have engineered and/or produced hundreds of professional recordings in genres ranging from classical to rap. I have also engineered many works for National Public Radio, and contributed as writer and audio archivist to the Peabody award winning PBS series "The Miles Davis Radio Project".

AWARDS, GRANTS & DISTINCTIONS

• COMMISSIONS
Year Commissioning Artist/Location Instrumentation
2007 Real Quiet (San Diego, NYC) piano, cello, violin, electronics and interactive video
2003 Trio Neos (Mexico City, Mexico) piano, bassoon, flute and electronics
2002 San Diego Arts Commission (San Diego, CA) composition for public arts project (with Roman DeSalvo, sculptor)
2001 Bakken Trio (Minneapolis, MN) violin, cello, piano and electronics
2002 Joel Bluestone (Portland, OR) percussion and electronics
2002 Fear No Music Ensemble (Portland, OR) mixed chamber ensemble with electronics
2001 Alejandro Escuer (Mexico City, Mexico) flute and electronics
2001 Joel Bluestone (Portland, OR) percussion and electronics
2001 Fear No Music Ensemble (Portland, OR) experimental film, mixed chamberwork and electronics
2000 Tongue and Groove Ensemble (Portland, OR) lyric soprano, flute, cello and piano
2000 Phil Hansen (Portland, OR) cello and electronics
2000 Fear No Music Ensemble (Portland, OR) performance artist, experimental animation, mixed chamber work and electronics
1991 Network for New Music (Philadelphia, PA) piano and three synthesizers
1982 Sforzando Ensemble (Minneapolis, MN) mixed chamber ensemble

• GRANTS etc.

Date—Award

2005 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon
— for presentation of international festival of electro-acoustic music (NWEAMO);
2004 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon
— for presentation of international festival of electro-acoustic music (NWEAMO);
2003 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon
— for presentation of international festival of electro-acoustic music (NWEAMO);
2003 Featured Visiting Artist
— ACMC 2003 (Australasian Computer Music Conference), Perth, Australia;
2002 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon
— for presentation of international festival of electro-acoustic music (NWEAMO);
2001 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for presentation of international festival of electro-acoustic music (NWEAMO);
2000 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for composition of an experimental film score;
2000 Technical Assistance Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for travel to attend world premier in Mexico City, Mexico;
2000 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for presentation of international festival of electro-acoustic music (NWEAMO);
2000 Adjudicator
—Oregon Music Teachers Association Composition Competition
1998 Finalist
— 1998 Professor of the Year Award, Lewis & Clark College
1998 Project Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for presentation of a complete evening performance of original works;
1998 Technical Assistance Grant — RACC (Regional Arts and Culture), Portland, Oregon,
— for travel to attend world premier in Sarvar, Hungary;
1998 Finalist, Greater Boston Choral Consortium Composition Competition, Boston, MA
— for composition of an original work;
1990 Artist’s Fellowship — Pennsylvania Council on the Arts
— for composition of an original work, Philadelphia, PA;
1987 Artist’s Fellowship — Pennsylvania Council on the Arts
— for composition of an original work, Philadelphia, PA;
1986 Artist’s Fellowship — National Endowment for the Arts/ Rockefeller Foundation (administered by Painted Bride Arts Center, Philadelphia, PA)
— for composition of an interdisciplinary work (Fractal Arts Project);
1985 Artist’s Fellowship — Pennsylvania Council on the Arts
— for composition of an original work, Philadelphia, PA;
1984 Artist’s Fellowship — National Endowment for the Arts
— for composition of an interdisciplinary work (East Coast Inter-Arts Collective), Philadelphia, PA;
1980s Mid-1980s assisted in production and designed music for CPB Radio Program Fund grant winning program, Kids Corner for WXPN radio station (Philadelphia);
1980s Mid-1980s assisted in production and composed theme music and supporting music for two Armstrong Award winning series: War in Space and Beyond the Cold War for Consider The Alternatives, a nationally syndicated radio program;
1980s Mid-1980s assisted with production and provided supporting music for Silver Award (Arts & Performance Category of CPB National Program Competition) winning series Poetry in the Air for WXPN and producer Steve Rowland;
1981 Scholarship — Bradley Keeler Memorial Scholarship (Yale University School of Music, New Haven, CT) for promising majors in composition;
1980 Scholarship — Emil Oberhoffer Memorial Fund (University of Minnesota)
1980 Phi Beta Kappa — Honor Society
1980 Pi Kappa Lambda — Music Honor Society
1979 Phi Kappa Phi — Honor Society

PUBICATIONS

Offshore, CD, Albany Records, January, 2006

Joseph Waters, CD, NorthPacific Music, April, 2000

COMPOSITION LIST - INTERNATIONAL PERFORMANCES:

Flame Head (10/01) — percussion & electronics, Joel Bluestone, vibraphone & Chinese gongs & Joseph Waters, electronics

Performance:
07/05/02 — Melbourne, Australia, ACMA (Australasian Computer Music Association) 10th anniversary
conference: Form, Space, Time: Music, Architecture and Design

Dream in Aqua and Scarlet (02/01) — electronics & flute

Performance:
07/06/01 – commissioned by flutist, Alejandro Escuer who performed in Mexico City - recorded in Mexico for international CD
distribution (funded by the Mexican government)

Kanashibari (10/00) — electronics & ‘cello, Phil Hansen

Performances:

07/25/02 — ISMEAM 2002 (International Summer Meeting of Electro-Acoustic Music), Nadasdy Castle, Sarvar, Hungary.

09/18/01 — ICMA 2001 (International Computer Music Association Conference), Listening Room Concerts (electronic version), Havanna, Cuba.

09/20/01 — ICMA 2001 (International Computer Music Association Conference), Listening Room Concerts (electronic version), Havanna, Cuba.

Quiet Music — Early Morning (06/98) — string trio

Performance:
07/23/00 — Rosario, Argentina, Ensemble Rosario

When the Clouds so Boldly Painted on the Sky . . . — zheng (10/00) and live electronics

Performances:
11/10/99 & 11/11/99 — Hong Kong Cultural Center, Hong Kong, FESTIVAL OF CHINESE ARTS, Chinese Virtuosi Ensemble, Li Meng, zheng & Joseph
Waters, electronics

10/25/99 — Tsinghua University Auditorium, Beijing, China, ICMC’99 (International Computer Music Assoc. annual conference), Chinese Virtuosi Ensemble, Li Meng, zheng & Joseph Waters, electronics

When the Clouds so Boldly Painted on the Sky . . .— harp (07/98) and live electronics

Performances:
07/23/00 — Rosario, Argentina, Ensemble Rosario, Joseph Waters, electronics

11/17/98 — Szinhaz Studioszinpadan, Budapest, Hungary, Reprise (Best of Sarvar concert), EAR Ensemble, Eva Maros, harp, Joseph Waters, electronics

07/29/98 — Sarvar, Hungary, 2nd International Conference on Electro-Acoustical Music, EAR Ensemble, Eva Maros, harp & Joseph Waters, electronics

When the Clouds so Boldly Painted on the Sky . . . (9/97) — koto and live electronics

Performances:
04/24/01— Moscow, Russia, Rakhmaninov Hall, Moscow Tchaikovsky Conservatory , MOSCOW
FORUM, the 8th International Festival of Contemporary Music, Dmitry Kalinin, kotoist

10/06/98 — Composer’s Union Concert Hall, Moscow Conservatory, Moscow, Russia, ALTERNATIVA Festival, Dmitry Kalinin, kotoist &
Joseph Waters, electronics

10/05/98 — radio broadcast (Liz Falconer): Londrina,Brazil (MUSICA NOVA)

Sarajevo Chamber Ensemble (04/99) — violin concerto, mixed chamber ensemble (version 2)

Performances:
07/25/99 — Nadasdy Castle, Sarvar, Hungary, 3rd International Conference on Electro-Acoustical Music, Ear Ensemble

05/05/99 — (premier) — violin concerto, mixed chamber ensemble version: Hungarian Radio broadcast studio/concert hall, Budapest, Hungary, Music of Our Century Festival (simultaneously broadcast nationally on Hungarian Radio), EAR Ensemble

Drum Ride electronic version (1/92) — electronic version:

Performances:
10/30/98 — Aula Magna Filosofia Auditorium, University of Cadiz, Cadiz, Spain,
FESTIVAL INTERNACIONAL DE MUSICA DE CADIZ – 1998

The 2nd Coming (collaborative work w/Gil Seeley 1996) — mixed chorus & electronics

Performances:
Summer 1998 — 16 locations throughout Europe

Night Visions (05/02) for Large Orchestra and Electronics (prelude and two movements)

Heart of Mephisto (09/02) version 1, for 2 channel diffused electronics

Heart of Mephisto (10/02) version 2, for percussion & electronics (vibraphone, timpani, glockenspiel, crotales, tubular bells)
Performances:
10/05/02 — Portland, OR, NWEAMO 2002 (New West Electro-Acoustic Music Organization) at b-complex, performed by Joel Bluestone
10/12/02 — San Diego, CA, NWEAMO 2002 at SDSU (San Diego State University, performed by Joel Bluestone

Flame Head (10/01)--— percussion & electronics, Joel Bluestone, vibraphone

Performances:
07/05/02 — Melbourne, Australia, ACMA (Australasian Computer Music Association) 10th anniversary
conference: Form, Space, Time: Music, Architecture and Design

11/14/01 — Percussive Arts Society International Convention, Nashville Convention Center, Nashville, TN

11/09/01 -— FEAR NO MUSIC Ensemble, First Christian Church, Portland, OR,.

10/05/01 — (premier) — -Northwest Electro-Acoustic Music Organization 3rd International Festival, B-Complex, Portland, OR

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

BOB— 2 pianos, violin, ‘cello, percussion & film by Matt Smith (commissioned by FEAR NO MUSIC)

Performances:
03/07/01 — (premier) — Kaul Auditorium, Reed College, Portland, OR, Fear No Music

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

Dream in Aqua and Scarlet (11/00) — electronics & flute

Performance:
07/06/01 – commissioned by flutist, Alejandro Escuer who performed in Mexico City - to be recorded in Mexico for international CD
distribution (funded by the Mexican government)

Kanashibari (10/00) — 'cello & electronics, Phil Hanson, ‘cello

Performance:
11/17/00 — Eliott Chapel, Reed College, Portland, Phil Hansen, FEAR NO MUSIC

03/11/01 — Beall Auditorium, University of Oregon, Eugene, OR.

05/30/01 — Marylhurst College, Portland, OR

06/13/01 — The Old Church, Portland OR

09/18/01 — International Computer Music Association Conference 2001, Listening Room Concerts (electronic version), Havanna, Cuba.

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

Kali Yuga (3/00) — 2 pianos, violin, ‘cello, percussion, electronics & animated film by JoAnna Priestly

Performances:
09/22/00 — Northwest Film Center, Portland Art Museum, Portland, OR, FEAR NO MUSIC

04/11/00 — Beall Auditorium, University of Oregon, Eugene, OR, FEAR NO MUSIC

03/10/00 — (premier) — Kaul Auditorium, Reed College, Portland, OR, FEAR NO MUSIC

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

Arabesque (11/98) — piano solo

Performances:
09/22/00 — Northwest Film Center, Portland Art Museum, Portland (score for slide show)

03/15/00 -— Agnes Flanagan Chapel, Lewis & Clark College, 2000-2001 concert series, Susan DeWitt Smith, piano

11/07/98 (premier)— Beall Concert Hall, Univ. of Oregon, Eugene, OR, Dave Viscoli, piano

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

Ocean Eyes (7/99) — clarinet, violin, ‘cello, piano (version 2)

Performance:
July/00 — (premier) — Rosario, Argentina, Ensemble Rosario

Witches of the Unconscious (2/00)— lyric soprano, flute, ‘cello & piano (commissioned by the Tongue n’ Groove Quartet)

Performance:
05/01/00 — Berbati’s Pan, Portland, OR, Tongue n’ Groove Quartet

04/11/00 —(premier) — Beall Concert Hall, University of Oregon, Eugene, OR, Tongue n’ Groove Quartet

Ocean Eyes (4/99) — oboe & piano (version 1)

Performance:
04/11/00 — Beall Auditorium, University of Oregon, Eugene, OR, Karen Wagner, oboe, Susan DeWitt Smith, piano

11/15/99 (premier) — Agnes Flanagan Chapel, Lewis & ClarkCollege, Portland, OR, Christina Fitzgerald, oboe & Susan DeWitt Smith, piano

Wake the Dead (04/98)— percussion quartet

Performances:
04/11/00 — Beall Auditorium, University of Oregon, Eugene, OR, University of Oregon Percussion Ensemble

03/04/00 — Evans Auditorium, Lewis & Clark College, Portland, OR, James Rogers Concert, Lewis & Clark Percussion Ensemble

02/15/00 — Beall Auditorium, University of Oregon, Eugene, OR, University of Oregon Percussion Ensemble

10/30/99 — Athletic Center, Lewis & Clark College, Portland, OR, Pool Concert, Lewis & Clark Percussion Ensemble

04/18/99 — Evans Auditorium, Lewis & Clark College, Portland, OR, World Music Concert, Lewis & Clark Percussion Ensemble

Quiet Music — Early Morning (06/98) — string trio

Performances:
07/23/00 — Rosario, Argentina, Ensemble Rosario

05/05/99 — Beall Concert Hall, University of Oregon, Eugene, OR, Vanguard Series

01/30/99 — Agnes Flanagan Chapel, Lewis & Clark College, Portland, OR

07/07/98 — (premier) — Beall Concert Hall, Univ. of Oregon, Eugene, OR,

OREGON BACH FESTIVAL, Third Angle Ensemble

Sarajevo (1/99) — electric violin, electric string quintet, wind symphony & electronics (version 1)

Performance:
01/30/99 — (premier) — Agnes Flanagan Chapel, Lewis & Clark College, Portland, OR, Lewis & Clark Wind Symphony with Andrew Ehrlich, violinist

04/17/99 — OPB radio broadcast of 1/30/99 Portland performance

Sarajevo Chamber Ensemble (04/99) — violin concerto, mixed chamber ensemble (version 2)

Performances:
04/11/00 — Beall Auditorium, University of Oregon;

07/25/99 — Nadasdy Castle, Sarvar, Hungary, 3rd International Conference on Electro-Acoustical Music, EAR Ensemble

05/05/99 — (premier) — violin concerto, mixed chamber ensemble version: Hungarian Radio broadcast studio/concert hall, Budapest, Hungary, Music of Our Century Festival (simultaneously broadcast nationally on Hungarian Radio), EAR Ensemble

Sulphur-Crested Cockatoos Wind Sextet (01/98) — wind sextet alone version

Performance:
02/12/00 — Hampton University, Hampton, Virginia, SCI Region III Conference

Sulphur-Crested Cockatoos (01/98) — vocal quartet SATB w/wind sextet

Performance:
04/11/00 — Beall Hall, University of Oregon, Eugene , OR

01/30/99 — (premier) — Agnes Flanagan Chapel, Lewis & Clark College, Portland, OR

Sulphur-Crested Cockatoos (01/98) — choir SATB

Performances:

09/16 — Christ Episcopal Church, Tacoma, Washington, The Esoterics:

09/17 -— Trinity Episcopal Church, Everett, Washington. The Esoterics:

09/22 & 09/23 — Pilgrim Congregational Church, Seattle, Washington, The Esoterics:

Insect Garden (03/99)— Balinese Gamelan

Performance:
05/03/99 — (premier) — Beall Concert Hall, University of Oregon, Eugene, OR, Pacific Gamelan.

When the Clouds so Boldly Painted on the Sky . . . (9/97) — koto and live electronics

Performances:
01/31/99 — radio broadcast (Liz Falconer): Oregon Public Broadcasting

01/30/99 — Lewis & Clark College, Liz Falconer, kotoist

10/06/98 — Composer’s Union Concert Hall, Moscow Conservatory, Moscow, Russia, ALTERNATIVA Festival, Dmitry Kalinin, kotoist &
Joseph Waters, electronics

10/05/98 — radio broadcast (Liz Falconer): Londrina,Brazil (MUSICA NOVA)

01/98 — radio broadcast (Liz Falconer): Seattle

10/23, 10/24 & 10/25/97 — (premier) Seventh Species Series tourLiz Falconer, kotoist:

10/12/97 — Lewis & Clark College, Portland, OR

10/24/97 — Old Church, Eugene, OR

10/25/97 — University of Western Oregon, Monmouth, OR

When the Clouds so Boldly Painted on the Sky . . . — zheng and live electronics

Performances:
11/10/99 & 11/11/99 — Hong Kong Cultural Center, Hong Kong, FESTIVAL OF CHINESE ARTS, Chinese Virtuosi Ensemble, Li Meng, zheng & Joseph
Waters, electronics

10/25/99 — Tsinghua University Auditorium, Beijing, China, ICMC’99 (International Computer Music Assoc. annual conference), Chinese Virtuosi Ensemble, Li Meng, zheng & Joseph Waters, electronics

When the Clouds So Boldly Painted on the Sky . . . — harp and live electronics

Performances:
03/11/01 — Beal Auditorium, Univeristy of Oregon, Eugene, OR, Denise Fujitawa, harp & Joseph Waters, electronics.

03/09/00 — University of North Texas College of Music, Denton, Texas, SEAMUS (Society of Electro-Acoustic Music in the United States) 2000

11/17/98 —Szinhaz Studioszinpadan, Budapest, Hungary, Reprise (Best of Sarvar concert), EAR Ensemble, Eva Maros, harp, Joseph Waters, electronics

07/29/98 — Sarvar, Hungary, 2nd International Conference on Electro-Acoustical Music, EAR Ensemble, Eva Maros, harp & Joseph Waters, electronics

Populist Manifesto (text by Lawrence Ferlinghetti) up-dated version 01/99 — mezzo soprano, accordion, saxophone, cello, percussion

Performances:
01/30/99 — Agnes Flanagan Chapel, Lewis & Clark College, Portland, OR

Manifesto (text by L, Ferlinghetti) commissioned by Relache (1984) — mezzo-soprano, free bassaccordion and saxophone, text by L. Ferlinghetti

Performance:
1984 — Drexel University, Relache Ensemble

Drum Ride (version for ensemble with electronics 07/00) commissioned by FEAR NOMUSIC ENSEMBLE — 2 pianos, violin, ‘cello, percussion, and electronics

Performance:
10/06/00 — The Old Church, Portland, OR, Fear No Music

09/22/00 — Northwest Film Center, Portland Art Museum, Portland, OR,Fear No Music

08/13/00 — Millennium Plaza, "Moonlight & Music Concert Series", Lake Oswego, Oregon, Fear No Music Ensemble.

02/08/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

02/09/02 — Smith Recital Hall, SDSU, San Diego, Fear No Music

Drum Ride (piano and electronics version 12/98) — solo piano and electronics

Performances:

03/11/01 — Beall Auditorium, University of Oregon, Eugene, OR.

02/16/99 — Beall Concert Hall, University of Oregon, Eugene, OR, Vanguard Series, Susan DeWitt Smith, piano

01/30/99 — Agnes Flanagan Chapel, Lewis & Clark College, Portland, OR, Susan DeWitt Smith, piano

Drum Ride (electronic version 1/92) — electronics

Performances:
10/30/98 —Aula Magna Filosofia Auditorium, University of Cadiz, Cadiz, Spain, FESTIVAL INTERNACIONAL DE MUSICA DE CADIZ – 1998

Drum Ride (1/91) — piano and 3 synthesizers (commissioned by Network for New Music)

Performance:
1991 — Temple University, Philadelphia, PA, Network for New Music

Counterpoint in F (1/95) — piano

Performance:
11/07/98 (premier) — Beall Concert Hall, University of Oregon, Eugene, OR, Dave Viscoli, piano

The 2nd Coming (collaborative work w/Gil Seeley ‘96) — mixed chorus & electronics

Performances:
10/96 (premier) — 3 locations in Portland, OR 16 locations throughout Europe - Summer ’98

Rites of Passage (1989) — electronic experimental film score: Philadelphia, PA, commissioned by John Campbell.

Matrix (1989) — electronic work for dance

Performance:
1989 (premier) — Philadelphia, PA, commissioned & performed by South Street Dance Co., Painted Bride Arts Center

Chaparral (1988) — electronic multi-media work collaboration w/Alan Code, commissioned by Claremont College

Performance:
1988 -— Claremont College, Claremont, CA

Euclid at the Seashore (1988)— electronic experimental film score, collaborative work: Fractal Arts Project

Performance:

1988 -— Painted Bride Arts Center & International House, Philadelphia, PA

Dolly & Nel (1988) — electronics for experimental dance, commissioned & performed by South St.Dance Company

Performance:
1988 -— Painted Bride Arts Center, Philadelphia, PA

The Old Italians Dying (1986) — narrator & tape, text and narration by L. Ferlinghetti (Pennsylvania Council on the Arts Grant)

Performances:
1986 — Painted Bride Art Center, Philadelphia, PA

1986 — Walker Arts Center, Minneapolis, MN

Padparadschah (1986) — 2 pianos, 8 hands

Performances:
1986 — Painted Bride Arts Center, Philadelphia, PA

1986 — McPhail College, Minneapolis, MN

Homage to Cezanne: Mont Ste-Victoire (1985) — flute, clarinet, horn, violin, viola and ‘cello (commissioned by sfz ensemble )(Meet the Composer Grant)

Performances:
Walker Arts Center, sfz ensemble, Minneapolis, MN

Five Electronic Landscapes (1985) — collaborative work for electronic music, sculpture, dance andvideo (NEA Grant — East Coast Inter-Arts Collective))

Performance:
1985 — Painted Bride Art Center, Philadelphia, PA

Breaking Through (1984) — electronics for experimental dance (commissioned by Agape Dancers)

Performance:
1984 -— Agape Dancers, Drexel University, Philadelphia, PA

Soaring (1983) — synthesizer, flute, clarinet, 2 horns, violin, ‘cello, harp, timpani, film score for Bailiwick Productions, Nyack, New York

Lullaby for a Lost Child (1982)— flute, English horn, viola, piano, guitar, percussion, film score for Bailiwick Productions, Nyack New York

Rumanacion (1979) — flute, clarinet, violin, ‘cello, piano, timpani, trombone, (commissioned by Minneapolis Institute for the Arts Contemporary Music Project):

Performance:
1979 — sfz ensemble , Walker Arts Center Minneapolis, MN

Apocalypse (1978) — piano

Performance:
1978 — Macalester College, St.Paul, MN

Assorted Solo Piano Compositions:

Tumbao of Sorrow (03/00)
Trochilidae (1997)
Variations on 12 Bar Be Bop Theme (1997)
Counterpoint in F (1995)
Counterpoint in E(1996)
Note in D (1994)

Commercial Works for Film, Television & Radio:

2000 - Documentary film score, Hand Game, Lawrence Johnson, Portland, OR (shown at Portland Art Museum's Northwest Film Center 10/19/00).
1994 – Music for NPR series, Legacies, Portland, OR.
1992 – Film score for State of Oregon film for Ombudsmen Program.
1990 – Co-writer (show 5), Miles Davis Radio Project, Peabody Award Winning 6 hourradio documentary on the life and music of Miles Davis.
1989 – Station identification and music for programming, WXPN, Philadelphia, PA.
1985 – 1990 - Theme music for radio program "Consider the Alternatives" (weekly news program on Pacifica & NPR) Philadelphia, PA.
1987 – Film score for "The Energy Dream" (independent film), Philadelphia, PA.
1986 – Score for UAW instructional film, Philadelphia, PA.
1985 – Co-wrote music/poetry composition for NPR with Jamaladeen Tacuma and Sonja Sanchez.
1984 – Film score for independent film on high school sports.
1984 – IBM television commercial for Christopher Columbus special.
1983 – IBM television Christmas commercial (choir & string quartet) aired internationally for 3 Christmas seasons.
1982-83 – Film score for independent film for Bailiwick Productions (4 orchestral themes).
1981 – IBM Space Shuttle commercial.